1954. Cmaj. 7 backing track. Audio Example 1http www. The Last Poets This Is Madness Rarest. Scale Exercise 2. Another good starter exercise is to play each note of the scale double http www. Scale Patterns. When you have the previous examples under your fingers, youre ready to learn some scale patterns. Scale Pattern 1. In this first pattern, youll play the C major scale in 3rds, by skipping a note http www. Scale Pattern 2. In this scale pattern, youll play the C major scale in groups of 3 notes http www. Scale Pattern 3. In this next scale pattern, youll play the C major scale in groups of 4 notes http www. The Ionian, Dorian and Mixolydian Scale. The Ionian aka major scale, Dorian and Mixolydian scales are called modes in music theory learn more about guitar modes here. There are 7 modes, but in this lesson well only have a look at 4, to keep things simple The Ionian mode used over major chords. The Dorian mode used over minor chords iim. The Mixolydian mode used over dominant chords What is a dominant chord. The Aeolian mode used over minor chords vim. Lets say you want to play scales over a ii V I vi chord progression in C major Dm. G7. Cmaj. 7Am. 7iim. V7. Imaj. 7vim. 7Music theory tells us you should play the following scales over each chord Cmaj. C Ionian scale. Dm. D Dorian scale. G7 the G Mixolydian scale. Am. 7 the A Aeolian scale. The problem with this theoretical approach is that its not very convenient because you have to think about another scale on every chord. The good news is that these 4 modes all have the same notes D Dorian Mode. DEFGABC1. 2b. 34. G Mixolydian Mode. GABCDEF1. 23. 45. C Ionian Mode. CDEFGAB1. A Aeolian Mode. ABCDEFG1. As you can see in the table above, these 4 modes all have the same 7 notes, namely the notes of the C major scale C D E F G A B, they just start on a different note. This means we can pick one scale usually the scale of the Imaj. If you play the C Ionian scale over the Dm. D Dorian scale. If you play the C Ionian scale over the G7 chord, it will sound like the G Mixolydian scale. If you play the C Ionian scale over the Am. A Aeolian scale. In the following audio example I play the C Ionian scale up and down over a ii V I vi backing track, and youll notice all notes are in key Audio Example 6http www. Playing scales like this is good for initial practice, but it doesnt sound very musical. In the following example I play the same scale over the backing track, but in a more creative manner. When using scales to improvise, your musicality will dictate how you play them It doesnt matter what note of the scale you start on. It doesnt matter what rhythm you play or how long your notes are. The order of notes doesnt matter either, you can skip or repeat notes. Heres a more musical example of how you can use the C Ionian scale over the same ii V I vi chord progression Audio Example 7http www. Minor Blues Scale Study. In this minor blues scale study youll be using the minor blues, Dorian, Aeolian and Phrygian dominant scales. Cm. 7 on this chord you can play the C minor blues scale, the C Dorian scale or the C Aeolian scale. G7 here you play the G Phrygian dominant scale or C minor blues scale. Fm. 7 on this chord you play the F Dorian scale, which has the same notes as the C Aeolian scale. C minor blues works fine here as well. Dm. 7b. 5 on the half diminished chord you play the D Locrian scale one of the modes we didnt cover in this lesson, which has the same notes as the C Aeolian scale. Again, C minor blues works as well. As you can see from the list above, the C minor blues scale works over the entire minor blues, but for the sake of variation its a good idea to mix in other scales as well. C Minor Blues Backing Trackhttp www. Listen Playhttp www. Essential Guitar Scales For Beginners PDFTo learn more about the minor blues, and jazz blues in general, check out our Introduction to Jazz Blues Guitar Bundle.